lucian freud
Модель:
RUR 6835
In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them 'revealing, telling, believable. really shameless'. It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits give us an insight into the development of his style as a painter. The works provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Essays by leading authorities - including those who knew him well - explore Freud's life and work, and analyse the importance of self-portraiture in his practice and the intensity that he maintained when studying his own. Accompanies an exhibition at the Royal Academy of Arts, London (27 October 2019 to 26 January 2020) and the Museum of Fine Arts, Boston (22 February to 25 May 2020). Exhibition organised by the Royal Academy of Arts, London, in collaboration with the Museum of Fine Arts, Boston
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RUR 2182
Lucian Freud dedicated his life to portraying the people in his world without flattery or refinement. Although his technique and style evolved tremendously over the decades, Freud never wavered in his uncompromising standards or unsentimental approach to his subjects. This introduction to Freud's life and oeuvre opens with an illuminating essay that explores how Freud's adherence to realism and focus on the human figure moved him in and out of the spotlight until the 1980s when renewed international interest in painting and figuration gave his work a new significance. Stunning reproductions of key works are presented chronologically, allowing readers to see how Freud's brushwork, composition, and use of light evolved over the decades. Whether he was painting members of the royal family or the cashier at a London nightclub, Freud imbued his portraits with psychological tension, humanity, and a profound interest in the relationship between painter and model
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RUR 2646
Sunday Times Art Book of the Year 2018 'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here . this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and 'Swinging London' in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question 'what can painting do?' and explored in their diverse ways, but with equal passion, the possibilities of paint
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RUR 2544
Lucian Freud was interested in the telling of truth. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swelling of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay. Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's sitting process for portraiture and Sigmund Freud's psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud's portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor, penetrate the physicality of the body with a direct and often disarming insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model. This book brings together some of Freud's most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form
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RUR 2711
Born in Berlin in 1931 to Jewish parents, the eight-year-old Auerbach was sent to England in 1939 to escape the Nazi regime. His parents stayed behind and died in a concentration camp in 1943. Now in his eighties, Auerbach is still producing his distinctly sculptural paintings of friends, family and surroundings in north London, where he has made his home since the war. The art historian and curator Catherine Lampert has had unique access to the artist since 1978 when she first became one of his sitters. With an emphasis on Auerbach’s own words, culled from her conversations with him and archival interviews, she provides a rare insight into his professional life, working methods and philosophy. Auerbach also reflects on the places, people and inspirations that have shaped his life. These include his experiences as a refugee child, finding his way in the London art world of the 1950s and 1960s, his friendships with Lucian Freud, Francis Bacon and Leon Kossoff, among many others, and his approaches to looking and painting throughout his career. For anyone interested in how an artist approaches his craft or his method of capturing reality this is essential reading
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RUR 315
With an Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury. Contains: Mapp and Lucia; Lucia's Progress; Trouble for Lucia. These three wonderful comic novels drolly record the battle between Lucia and Elisabeth Mapp for social and cultural supremacy in the village of Tilling (based on Rye). Their constant skirmishes ensure that every game of bridge, tea or dinner-party, church service, council meeting or art–exhibition are thrilling encounters that ensure Tilling is always on ‘a very agreeable rack of suspense’. Both Elisabeth and Lucia are gross hypocrites, snobs and bullies, the huge differences in temperament and style ensure the battle is usually unequal. Elisabeth is incurably mean-spirited and Lucia suffers from splendid delusions of grandeur and personal prestige. Driven by demons of revenge, Elisabeth always acts impulsively, and therefore every revelation of her meanness allows Lucia, the consummate actress, to kill her ally with a sickening kindness. In his insightful Introduction Keith Carabine shows that these books are excruciatingly funny because Benson, like Jane Austen, invites the reader to view the world through the self-deluded chronic anger and jaundiced suspicions of Elisabeth and through the self-deluded fabrications and day-dreams of Lucia. Carabine also concentrates on the novels’ disturbing, bitchy, ‘camp’ humour whenever ‘that horrid thing which Freud calls sex is raised’
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RUR 1589
'.man is not truly one, but truly two.' In this powerful deconstruction of Calvinist belief and the hypocrisy at the heart of Victorian society, Stevenson creates a gothic icon in the divided self that is Dr Jekyll and Mr Hyde. Born from a nightmare and anticipating Freud's theory of the unconscious, Stevenson literalises the concepts of the supernatural doppelganger and the split personality in a timeless tale of guilt, desire, and violence by which all subsequent 'double' stories must be judged. In seeking to cleanse his soul of sin, Dr Henry Jekyll instead unleashes a monster. First published in 1886, this tragic study of the duality of man established Stevenson's international reputation as an author. This volume also contains Stevenson's 1887 collection of short stories, The Merry Men and Other Tales and Fables, which includes a further exploration of the mind of a murderer, 'Markheim', and the occult tales of terror, 'The Merry Men', 'Olalla', and 'Thrawn Janet'
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RUR 3358
Picasso called Dali "an outboard motor that’s always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dali was one of the century’s greatest exhibitionists and eccentrics and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination. This publication presents the entire painted oeuvre of Salvador Dali. After many years of research, Robert Descharnes and Gilles Neret finally located all the paintings of this highly prolific artist. Many of the works had been inaccessible for years in fact so many that almost half the illustrations in this book had rarely been seen
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RUR 2544
Picasso called Dali "an outboard motor that's always running." Dali thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and film maker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics — and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. Dali brought extraordinary sensitivity, imagination, and concern for precision to bear upon submerged levels of consciousness. This lively biography presents the infamous Surrealist Dali in full colour and in his own words. His provocative ideas are all here, from the soft watches to the notorious burning giraffe. And the fantastic phenomenon that was Salvador Dali is grasped entire and placed in its various contexts
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RUR 13098
A dynamic, highly visual, and in-depth study of Omer Arbel, the internationally celebrated and collected multi-disciplinary designer and master of sculptural lighting The work of Omer Arbel Office moves fluidly between the fields of design, architecture, sculpture, and invention. This monograph brings together twenty-two compelling projects – from lighting works for Bocci to furniture and standalone homes – to reveal practice founder Arbel's radical design ethos, which is rooted in material experimentation and collaboration. Organized by four thematic chapters and richly illustrated with beautiful product photography interwoven with preparatory drawings and ephemera, this book provides unique insight into Arbel's highly diverse practice. With essays by guest contributors including American curator Glenn Adamson and senior design curator at the V&A, Brendan Cormier, and excerpted historical texts from seminal writers, artists, and thinkers – from Sigmund Freud to Robert Smithson – which provide compelling cultural context for this stimulating contemporary studio
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RUR 921
This is Freud"s groundbreaking study of a wealthy young Russian man, subject to psychotic episodes and neuroses. Through the patient"s dream of childhood wolves, Freud was able to determine his real problem - that of infantile neurosis brought about by a sexual complex and an Oedipal fixation
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RUR 1311
In Jessie Greengrass' superb debut novel, our unnamed narrator recounts her progress to motherhood, while remembering the death of her own mother ten years before, and the childhood summers she spent with her psychoanalyst grandmother. Woven among these personal recollections are significant events in medical history: Wilhelm Rцntgen's discovery of the X-ray; Sigmund Freud's development of psychoanalysis and the work that he did with his daughter, Anna; and the origins of modern surgery and the anatomy of pregnant bodies. Sight is a novel about being a parent and a child: what it is like to bring a person in to the world, and what it is to let one go. Exquisitely written and fiercely intelligent, it is an incisive exploration of how we see others, and how we might know ourselves