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RUR 6734
From well-known portraits of Monaco’s “beautiful people” to rarely seen landscapes, this collection of images documents two decades of Helmut Newton’s love affair with the sun-kissed world of the French Riviera. Helmut Newton was in his sixties and already a well-established photographer when he and his wife moved to the French Riviera. At an age when many people would consider retirement, Newton instead plunged headfirst into one of the most prolific and liberating stages of his career. The city of Monaco was the perfect backdrop for his fashion photography, and it also provided him with a wealth of subjects for his famous portraits, including the stars of the Ballet de Monte-Carlo and the Princely Family. And it was in Monaco that Newton finally tried his hand at landscapes. While this volume focuses primarily on the years 1981 to 2004, it also looks at Newton’s historic links with the Co^te d’Azur and the area around Bordighera, Italy. There are essays by a range of experts in photography, film, and art and three interviews, including one with Paloma Picasso. In these remarkable photographs readers will discover the French Riviera through Newton’s fascinated, slightly ironic lens: a way of life characterized by ease and elegance; a world dominated by appearance and superficiality; and a veritable living theater, in which he was both actor and privileged member of the audience
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RUR 2646
Sunday Times Art Book of the Year 2018 'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here . this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and 'Swinging London' in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question 'what can painting do?' and explored in their diverse ways, but with equal passion, the possibilities of paint
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RUR 15841
The third in the Split Seconds series featuring evocative black-and-white photography that captures the timeless beauty of iconic cities. Hong Kong provides a stunning backdrop for Abe Kogan’s skillfully rendered black-and-white photography. The third in the Split Seconds series, following Havana and Florence, Hong Kong explores the city famous for its dense urbanism and high-rise marvels. The towering obelisks and repetitive facades of the modern megacity stand in stark contrast to its complex cultural roots—a city born of compromise between Chinese tradition and British influence. Kogan’s strikingly evocative images showcase this intersection of influence with intimate portraits of bustling street life, iconic skylines, claustrophobic residential areas, maritime hubs, rugged coastline, and the parks and public spaces that provide a respite from the unrelenting vigor of the city
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RUR 23372
This richly illustrated volume traces the story of one of the world’s most recognizable wristwatches through archive images and original photography, together with an evocative text by noted author, historian, journalist, and horological specialist Nicholas Foulkes. Born in 1931, at the height of the Art Deco period, the Reverso was created in response to the challenge of designing a wristwatch that could withstand the rigours of polo matches. It captured the essence of the time – a period when the spirit of modernity changed everything, from social mores to architecture, music, sport and every field of design. Epitomizing this spirit with its sleek form and unique reversible case, the Reverso has remained an eternal expression of modernity for 90 years, continually reinventing itself while never compromising its identity. Its blank metal flip side, which began as a purely functional solution, became a canvas for creative expression, decorated with enamel, engravings or gemstones. As well as tracing the history of the watch and its evolution over the past nine decades – with more than 50 calibres and several hundred dials – the book explores the social milieu and cultural changes that provided the backdrop to the creation of the Reverso and, later, its continued reinvention. It shares the stories of more than a dozen Reverso owners who have personalized their watches in deeply meaningful ways. And it also tells the fascinating story of Jaeger-Le. Coultre’s founders, their inventions that have had a profound impact on horological history, and the Maison’s development as an integrated Manufacture with 180 skills brought together under one roof
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RUR 2951
In 2013 German Swiss photographer Tom Licht took off with his father (b. 1940) on a different kind of road trip: from their small home village in former Eastern Germany, they traveled thousands of kilometers eastward, searching for the place where his grandfather had fallen 72 years earlier during an attack on a Russian village in WWII. The father-and-son pair sets off on an extended search for clues that follows the route of the medical sergeant and his Wehrmacht regiment until just outside Moscow. Along the way they are confronted with the unhealed scars of the 2nd World War, as well as their own unspoken psychological wounds. Tom Licht‘s highly personal photographs against the backdrop of the horrors of war and his own tragic family history, can only hint at the millionfold fate affecting the fatherless German and Sovjet postwar generation to this day. Tom Licht completed the postgraduate course at the Ostkreuz School of Photography in Berlin under Ute Mahler and Robert Lyons. He lives and works in Zurich and Berlin. Text in English, German
