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Модель:

RUR 14124

Follow Peter Lindbergh across four decades of pioneering fashion photography. Through countless collaborations with the most venerated names in fashion, the German photographer created new narratives with his humanist approach, which resulted in iconic shots at once introspective and appealing. This book features more than 300 images, many previously unpublished, as well as an updated introduction in which Lindbergh establishes his sentiment on “so-called fashion photography”. Multilingual Edition: English, French, German

Модель:

RUR 11715

Collaboration presents a groundbreaking and multifaceted history of photography which explores photography through the lens of collaboration, challenging the dominant narratives around photographic history and authorship. In a vast, collaborative effort led by five of the great thinkers and practitioners in photography that includes more than 550 photographs and over 80 text contributors, this book breaks apart photography’s ‘single creator’ tradition by bringing to light tangible traces of collaboration – the various relationships, exchanges and interactions which occur between all participants in the event of photography. This book offers the keys to understanding and decoding the complex politics of seeing. The conditions of collaboration in photography are explored through over 100 photography projects, divided into eight thematic chapters. The photographs from each project are presented non-hierarchically alongside quotes, testimonies, and short texts by guest contributors. These networks of texts and images provide perspective on a vast array of photographic themes, from Araki’s provocative portraits of women to archival files from the Spanish Civil War. Collaboration is not an ultimate account of what photography is, does, or means. Rather, the book is an inspiration for teaching and an open invitation to scholars, activists, photographers and others to practice always with and alongside others and participate actively in this engagement and enquiry

Модель:

RUR 3531

The history of photography began nearly 200 years ago, but only relatively recently has it been fully recognised as a medium in its own right. Cologne's Museum Ludwig was the first museum of contemporary art to devote a substantial section to international photography. The L. Fritz Gruber collection, from which this book is drawn, is one of the most important in Germany and one of the most representative anywhere in the world, constituting the core of the museum's holdings. This book provides a fascinating insight into the collection's rich diversity; from conceptual art to abstraction to reportage, all of the major movements and genres are represented via a vast selection of the century's most remarkable photographs. From Ansel Adams to Piet Zwart, over 850 works are presented in alphabetical order by photographer, with descriptive texts and photographers' biographical details, providing a comprehensive and indispensable overview of 20th century photography

Модель:

RUR 3808

African Rhapsody. Contemporary photography in Africa – a look at a continent whose history and present need to be rediscovered. Co-edited by Benjamin Fьglister. Portfolios with interviews by Nneka Iwunna Ezemezue, Frйdйric Noy, Bernard Brisй, Remofiloe Mayisela, Mauro Vombe, Maheder Haileselassie, Bas Losekoot, Joseph Obanubi, Fatimazohra Serri, M’hammed Kilito, and Alice Mann | Interview with Yvon Languй on contemporary trends in African art and photography | What to Say about Africa | African Insights: Books by Todd Webb, Olaf Heine, Elliott Verdier, Michele Sibiloni, and Sanne De Wilde/Bйnйdicte Kurzen, reviewed by Ben Krewinkel | African Photography Guide – No. 113, vol. 44, issue 1, summer 2023. Berlin: European Photography, 2023

Модель:

RUR 1715

This documentary film shows the story of creating Carlos Saura’s Vanished Spain, a book of Saura’s photos of Andalusia and central Spain in the late 1950s, and published by Steidl in 2016. As a young man the great Spanish film director Saura didn’t quite know what he wanted to become: a motorcycle racer, flamenco dancer or a photographer. 60 years, 40 films and numerous awards later, film has proven Saura’s focus yet his passion for photography runs like a thread throughout his career and life. Indeed his studio in Madrid today resembles a photographic museum, packed with curiosities, vintage Leicas and self-made cameras. When publishers Hans Meinke and Gerhard Steidl set out to publish Saura’s largely unknown photographic oeuvre, they did not anticipate discovering the compelling landscapes, villages, bullfights and people of another era that comprise Saura’s personal portrait of 1950s Spain and transgress the propaganda imagery of the Franco regime. Neither did they expect the twists and turns of creating the book with Saura, an artist who resolutely calls himself a “photographic amateur.” How to make a book with Carlos Saura & Steidl reveals how photos become a photobook, and leaves open the amusing question of who of Saura, Meinke and Steidl were ultimately the Father, Son and Holy Spirit in their two-year-long creative process. Playing time: 52 minutes

Модель:

RUR 3000

The ultimate aerial tour of creative drone photography, brimming with remarkable images from around the globe and selected from the world`s leading drone photography website

Модель:

RUR 5408

Now more than 175 years after photography’s invention, it is rare to discover a significant chapter of its history that is essentially unknown to European and North American audiences. Sao Paulo’s Foto-Cine Clube Bandeirante (FCCB) is widely heralded in Brazil, but almost invisible to photography enthusiasts elsewhere. Historically their achievements were well known to the international circuit of salons in which they participated, including Otto Steinert and his fellow “Subjective” photographers in Germany and the Societe Francaise de la Photographie in Paris. Nonetheless, to date not a single American institution owns vintage photographs by anyone other than Geraldo de Barros. Published to accompany an exhibition at The Museum of Modern Art, this publication assembles a robust selection of photographs to introduce the FCCB’s ground-breaking photographic experiments to a wider audience. Six thematic chapters highlight individual achievements as well as the breadth of the club’s membership, transforming the history of photography as we know it and connecting with contemporary Brazilian painting and Sao Paulo’s then-newly-formed museums of modern art. This is the first non-Portuguese language publication to grapple with these photographs

Модель:

RUR 9597

The Soviet Century is a major and comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. Photographs by both well-known and little-known artists including Max Alpert, Mikhail Grachev, Yakov Khalip, Fedor Kislov, Ivan Kobozev, El Lissitzky, Gyorgy Petrusov, Aleksandr Rodchenko, Ivan Shagin, Aleksander Ustinov and Giorgi Zelma are grouped into thematic sections surveying the 1917 Revolution, the artistic avant-garde, peasant life, World War II and more. This 600-page volume includes three historical essays that examine the complex artistic and ideological status of photography throughout the period, caught between state-led imperatives to achieve political ends and formal, artistic experimentation, especially with the 1920s avant-garde

Модель:

RUR 2007

'While looking through his contact sheets, Harvey Benge noticed that one of his pictures reminded him of a ‘Friedlander’, another someone else. All photographers do this, and if the photograph in question apes another photographer too closely, it’s usually a cause for rejection. But Benge did the opposite. Picking out his ‘Friedlander’ and his ‘Parr’ and his ‘Baltz’ he decided to make an ‘anthology’ of contemporary photography featuring some of its biggest names. Yet they are all genuine, original Benges. They are also all good pictures, not mere pastiches of the ‘originals’ of which they gently but insistently remind one. This may be a game, but games can be very serious, and this fascinating book is both a serious and light-hearted exploration of photographic style.’ – Gerry Badger Working from both Paris and Auckland, New Zealander Harvey Benge has established an enviable international reputation with exhibitions throughout the world. He has published over a dozen books and has been a finalist of the Prix du Livre, Arles Festival, France. His work is held in many major collections

Модель:

RUR 5889

Belgian artist Fabrice Samyn (born 1981) enters into dialogue with the Old Masters at the Royal Museums of Fine Arts in Brussels, and with Magritte at the Musee Magritte. Saymn uses photography, sculpture, performance and drawing to translate elements of great works

Модель:

RUR 8272

William Helburn, a quintessential figure of the ‘Mad Men’ era, was one of the most prolific and dynamic photographers of the New York school that dominated fashion and advertising from the late 1940s to the 1960s. And then he seemed to disappear. This handsome volume brings to light his magnificent career and restores him to the pantheon of postwar photographers. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Doyle Dane Bernbach’s Helmut Krone considered Helburn a hero for fighting ‘the limits and style of the studio and the slowness of Kodachrome’, achieving ‘a revolution in visual methods’. As Helburnhimself said, ‘I always tried to do something different. Shock value was a term that was used. And I meant to shock people as much as I could.’ Shock value and an unrelenting hunger for success helped Helburn to a pioneer’s share in the revolutionary era of advertising. His work would also appear on the editorial pages and covers of major magazines. For Helburn, working for the top agencies was as good for a photographer as working for Vogue or Harper’s Bazaar. However, his advertising work was largely uncredited, and so he remained relatively anonymous except to those in the know at the magazines and agencies. He was the consummate insider. As he said, ‘The only way to make more money in photography was to do competitive, conflicting accounts. If you do Cadillac, Chrysler doesn’t want you. But I did both. And I did Revlon and Max Factor. But I kept it to myself.’ In addition to cars and cosmetics, Helburn shot for Coca-Cola and Canada Dry, clothing lines and airlines, cigars and cigarettes and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh, to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton. Away from the camera, Helburn lived the high life: he raced his Ferrari at Sebring, Watkins Glen, Nassau and Havana; he threw annual parties where jazz greats like Count Basie and Art Blakey would perform; he cultivated his reputation as a charming rake and socialized across New York’s creative worlds at the Stork Club, P. J. Clarke’s, Gino’s, Le Cirque and Birdland; and he photographed wave after wave of the world’s most beautiful women. William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn. Almost all of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn’s life and work, and former colleagues – photographer Jerry Schatzberg, art director George Lois, and models Sunny Griffin and Ali Mac. Graw – offer insights into the creative spirit of William Helburn

Модель:

RUR 7806

This stunning book presents Charlotte Perriand's photographic achievement in its entirety, offering new and valuable insights into the work of this important designer Charlotte Perriand (1903-1999) was one of the most innovative furniture and interior designers of the twentieth century, long renowned for the tubular-steel chairs she created with le Corbusier. Her career spanned nearly seventy-five years and included work in her native France as well as in Africa, South America, Asia, and Europe, and today her designs are highly collectable. Recently, several hundred photographic negatives were uncovered in her archives, revealing for the first time the scope of her work as a photographer. In the late 1920s, French interior and furniture designer Charlotte Perriand was at the cusp of her career, just beginning her work as an architect, designer, town planner, and political militant. Starting in 1927, she turned to photography, which was to play a pivotal role in her development as a designer through the pioneering years of the modern movement. Her photographic venture ended in Japan in 1941, when the hope of a better world was shattered by World War II. For Charlotte Perriand, photography was a machine for thinking, taking notes, and stirring emotions, but it was also an instrument of political engagement. Today, her photographs are a revelation, offering unseen glimpses into her creative process and intellectual development. Her photographs express the important themes and questions explored by modern artists of the day, and are part of the vast stream of avant-garde movements in which painters, architects, and photographers - and sometimes all three combined - worked together in a common spirit

Модель:

RUR 6746

The fifth edition of this indispensable history of photography spans the history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey. Mary Warner Marien discusses photography from around the world and through the lenses of art, science, travel, war, fashion, the mass media and individual photographers. Professional, amateur and art photographers are all represented, with 'Portrait' boxes devoted to highlighting important individuals and 'Focus' boxes charting particular cultural debates. Mary Warner Marien is also the author of 100 Ideas that Changed Photography and Photography Visionaries. New additions to this ground-breaking global survey of photography includes 20 new images and sections on advances in technology and the influence of social media platforms. An essential text for anyone studying photography

Модель:

RUR 3531

From a delivery boy to one of the most important industrialists in American history, George Eastman’s career developed in a particularly American way. The founder of Kodak died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world. The continually expanding photography collection contains over 400,000 images and negatives - among them the work of Alfred Stieglitz, Edward Steichen, Ansel Adams and others - as well as 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film. The George Eastman House is a pilgrimage site and a place of worship for researchers, photographers and collectors from all over the world. This volume shows in chronological order the most impressive images and the most important developments in the art of light that is photography. It provides in its huge collection and themes a unique survey of the medium from its origins until now

Модель:

RUR 5738

This remarkable book brings you face-to-face with an incredible selection of pioneering women who have reshaped the creative industries. From legendary visual artists Yoko Ono and Tracey Emin, to groundbreaking musicians like Annie Lennox and Debbie Harry, to fashion giants such as Miuccia Prada and Diane von Furstenberg, this collection of original interviews and Polaroid photographs of almost 30 trailblazing women spans creative industries, nationalities and generations to bring together a never-before-published collection of leading voices. Featuring an astounding range of names including FKA Twigs, Isabelle Huppert and Rei Kawakubo, this book creates both a portrait of each individual woman and – collectively – a powerful portrait of the impact of women on the creative industries. Each pioneering creative is interviewed and photographed by the Mexican artist Hugo Huerta Marin. The women speak openly with Huerta Marin about their challenges and joys; their vulnerabilities and their triumphs. Cate Blanchett reflects on the differences between acting on stage and in film; Marina Abramovic? discusses her most radical piece of performance art; Annie Lennox reminisces about London in the 1970s; Carrie Mae Weems discusses the relationship between race and photography —these and other conversations are further brought to life by Huerta Marin’s candid, intimate Polaroid images. These photographs, which allow readers to lock eyes with their subjects, reflect the natural tone of each conversation, allowing the reader rare insight into the lives of these renowned artists. Inspiring and revealing, this collection of interviews and photographs gives readers an unparalleled connection with some of the most fascinating women working in the arts today

Модель:

RUR 2150